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The Independence of Central America Remains an Unfinished Experiment

by Cime

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1.
Verse 1 [Cime] Alguna vez en algún año pasado Yo aprendí a caminar Y yo me fuí por donde me daba la gana (One time in a year long past I learned how to walk And I went wherever I felt like going) some time ago a long time ago i learned how to be free and free I was for a minute i forgot it how drab and dull everything was Verse 2 [El Cafe Atomico]: Alguna vez en algún año pasado Yo nací en el centro del caos Hijo del ruido y la furia Esperando un futuro mejor Muy, muy lejos de acá, compay Pero entre el ruido y la furia Un camino se encuentra Un puente de fuego Que te abraza Y te quema Y te mata Y te ama Y te libera Y te muestra un futuro mejor Acá, acá, acá! (Sometime ago in some year ago I was born in the center of the chaos Son of noise and of fury Waiting for a better future Far, far away from here, Compay You’ll find a road A bridge of fire That embraces you And burns you And kills you And loves you And liberates you And shows you a better future Here, here, here!) Bridge [Cime] Si queres estar libre Tienes que pasar Pensando en tu futuro Nos espera Bolivar Ya no se cansó todo Y lo puedes cambiar Si andamos caminando compay Se puede lograr (If you want to be free You have to spend time Thinking about your future Bolivar waits for us Nothing is ever truly over And you can change it If we start walking, Compay We can accomplish it)
2.
It's hard when your friends Instead become your enemies They won't accept your identity They'd rather see the end of me It's hard when you want to say so much But you're restrained by your vicinity With your own doubts creating chains Much heavier than anyone else could impose Being earnest is hard when you're filled with anxiety Irony makes it easy to be the person you want to be Being genuine is hard when something so personal is being rated like (You can compare them) His worries and struggles are better than yours Sorry, that's just what the people like (The people like, the people like) After multiple attempts to reconcile, their differences were far too great to overcome and the Union would fall. Let it be known, however, that it did not fail naturally, like an old Ceiba* tree putting itself to rest after a long and fruitful life. This Guanacaste* was torn from its roots by greed while Morazan tied himself to the trunk and was killed for it. He was right. He was right. *Two different kinds of trees native to Central America. The Ceiba tree is where the city of La Ceiba derives its name from. The Guanacaste is the national tree of Costa Rica, and has a province named after it.
3.
A century and a half later, someone who understood his vision would be born in the spot where the peaceful Ceiba once stood. And his name was… Guillermo I wish I knew you Guillermo I can see right through you Guillermo Such a love for music In a country that won’t conduce it Passion for the art Even though you’d never chart You’re the hero and the only hero In a country across the sea, oh Not much gives me pride in my name But I know you probably felt the same Guillermo, I miss you So, here's a fun fact for you… Francisco Morazán died the day that independence was declared for Central America… isn't that just crazy? Like, what a weird coincidence… you know? Um, it's almost too perfect to be–to be a coincidence, you know? It's crazy how things work like that You’ve been a teacher to me I will come to see you We can talk for hours, Guillermo Honduras still cries for you Guillermo, ¡yo te quiero! Guillermo, ¡yo te quiero! O, Guillermo, ¿cuándo te veo otra vez? Te extrano tanto, Guillermo Honduras, lloramos por tí Ya estamos en revolución El Pueblo solo aguanta tanto! Nos está viendo nuestros ancestros, esperando que escojamos el paso correcto. Venceremos, tiene que ser! Venceremos! (Guillermo, I love you! Guillermo, I love you! Oh, Guillermo, when will I see you again? I miss you so much, Guillermo We, Honduras, cry for you We are already in a revolution The Pueblo can only suffer for so long. Our ancestors are watching us, waiting for us to take the right path forward. We will overcome, it must happen! We will overcome!)
4.
Going off to war for Costa Rica, got my gun Bayonet mount on my Enfield, for the Yankees, better run It's loaded and ready Hold that gun steady Ol’ Walker better sit still For a bit we're united, in name, we'll be fighting Against the Filibusters We're always fighting, always fighting, siempre en rebelion (Always in rebellion) They want to enslave us, Colonize, and degrade us! Patria libre o morir! (Free homeland or death!) I nearly died the other day, I nearly died And I couldn't stop thinking about Would they laugh at me? Would they know that I nearly died and laugh at me? But despite all of that, I have to keep on going Things are never over until they're over They can tell you that but it's just for control, oh You have stay optimistic, fight for God, Fonseca did it And don't you dare, don't you dare, don’t you dare, don’t you dare quit Don’t you dare quit (Don’t you dare) Don't give up on me, or on you, or on us, or on everyone (On us, on everyone) We're all waiting for you (For you!) You might feel lost, and you might feel scared. It’s understandable, there’s a war out there. But just think of them–your ancestors. They’re watching you, they’re watching us, they always have been. In the midst of everything, remember one thing: fight ‘till you’re done.
5.
I love my mother I love my mother Because she gave Me the best Shot at success She could do Without control Beneath her waist
6.
New Orleans gets some ice Standard Fruit sees the price Markets rising like The tides the ships sail A Faustian bargain made With our people's souls we paid Soon enough the devil came Genocide, talking heads 200,000 Mayans dead But how could we have known? It's just like Ochoa said We open our doors and let them in Give them food and call them friends Although, I can't fault them The republic had broken up Half a century ago They needed infrastructure How could they know? Unfortunate, But I forgive them What am I even doing here? Too much money to get the help I need Yet I'm too poor to afford the help I need, so What am I doing here? (What are you doing here?) Exploit my mind i never liked it much Export pain like bananas in a bunch What am I even doing here? What am I doing here? (What are you doing here?) God gave me a special purpose, I just follow everything he says Fruits don't make much anymore Remittances are the new import Exporting people to lower the dole queue Chiquita doesn't bring the money it used to I tried staying earnest, I had my conviction But then I quit my job, survived a car wreck (Beep beep!) I fought for independence and against a dictatorship But the victory was temporary Thought that was it, but on the contrary They still won, they still won, just in a different way I keep writing these songs because i know I could never work an office job I think i'm running out of time I don't even know if there's an audience Like, does anyone even care to hear me whine? Like, ever? (I don't! I know that's for certain)
7.
God loves you God loves you God loves you And he loves me too God loves you God loves you God loves you And he loves me too God loves you God loves you God loves you And he loves me too God loves you God loves you God loves you And he loves me too When the earthquake came Nobody gave a shit They sent some aid Went to the dictatorship And guess how well that whole ordeal went This isn't new It's always happening But it hit a nerve we never went back again you and me both we know what's up it never ends, it's an age old story in the 20s in the 80s even now, it gets boring it never ends, it's an age old story in the 20s in the 80s even now, it gets boring you may be feeling lost, don't know what to do you just got two people to answer to God, or anything you moralize, and you you see the problem was the Filibusters chose him he can't be earnest he doesn't come from the heart and the filibusters don't even let me start you may have doubts it may be painful but anything is better then being chained by the ankles it never ends, it's an age old story in the 20s in the 80s even now, it gets boring you may not know it but now you will being yourself is following His will it never ends, it's an age old story in the 20s in the 80s even now, it gets boring if you're gay, trans, bi, or lesbian if you're an artist and not sure you'll fit in it never ends, it's an age old story in the 20s in the 80s even now, it gets boring and if that upsets you, well that's ok just take a look to the other way the filibusters promote democracy by arming troops that kill indiscriminately the filibusters always invoke God while they play one like a fraud it's blasphemy it's hegemony so be the person you ought to be God loves you God loves you God loves you And he loves me too God loves you God loves you God loves you And he loves me too God loves you God loves you God loves you And he loves me too God loves you God loves you God loves you And he loves me too God loves you God loves you God loves you And he loves me too Always in rebellion, we kept on fighting… sometimes we won, sometimes we didn’t. Sometimes we won and still lost, but we always lost what we won. Unfinished–our land is unwritten, words composed but never arranged. A region liberated, but its people estranged. Started with wars for our Gods, now our Gods are drugs. We sacrifice each other for their blessing. It’s never too late to change. You can always rewrite your name, you just can’t rewrite the pain.
8.
phil ochs and nick drake the burning torch of baroque folk i'll have to take will i end up like a Dylan or a Jara will i ever buy a home for my mama will i ever do anything at all or will the peanut gallery chastise me for expressing artistic insecurity or for saying something they can't relate to "it's not depression porn, what am i supposed to do?" never been asked to comprehend another view so you just pick a few words out, one or two surely this isn't about me, it's all about you always about you, forever about you 200 years, what came of them? we broke our chains, now we're re-chateled we freed ourselves, then we sold ourselves just to feed ourselves, now it's gone to hell the bind is strong, yes, it's stronger than the bond of the union, which to our own past belongs Morazán still lives within us he is not dead, hope is not dead God is not dead, we are not dead but above all else, i ask with full intent how am i supposed to celebrate with laughter and merriment when the independence of central america is still just an experiment? (We are not dead, we are not dead) two hundred years that's ten-odd score five countries turn to seven or more one is british the other american the other five are the aztlan of corn, amen cause i'm not mud and i'm no monkey I'm a girl, an artist, child of the maize and that bird is going to sing one of these days one day one day one day a back up plan seems stupid to me even though i nearly didn't get my high school degree now I'm still struggling first year in college but this time with the knowledge of beans and toast the knowledge of strawberries feeling morose the knowledge of God's love for his daughter the most and of the filibuster the snake and the jaguar the car the job the dictatorship being earnest and not ironic with my conviction i'll stick moving forward or sinking or freezing or being shot or raped die in the revolution of my mind by my own soft hands cry to try and evolve from my swollen glands or just sit inside just sit inside just sit inside just sit inside just sit inside maybe someday we'll look back new tomorrows will be the yesteryears of old choosing the right path and walking down it totally completed, the project went gold or maybe you'll look back and turn to a pillar of salt punished for your hesitation in retrospect, who will you blame? who will you name? who will be at fault when to rest you are lain? who will continue your legacy or does it end there? are you fulfilled? are you insecure? if you passed away tomorrow would you leave any regrets would you leave any unpaid debts would you leave behind any trace of who you were for all who come next? this may seem pretentious but i promise it isn't look at the title of the album what does it mean if you've been listening the question is obvious it seems so lastly, i ask with full earnest intent how am i supposed to celebrate with laughter and merriment when the independence of central america is still just an experi
9.

about

Three parts--
Introspection
Reflection
and a Call to Action
that's what this album is about.
Using the history of Central America as a pretext, The Independence of Central America Remains an Unfinished Experiment is just as much about my own life as I've had to live it over the past year or so as it is about Honduras, and it's just as much about my own life as it is a cry for a better future for Honduras and Central America, holistically. Conviction, earnestness both in artistic expression as well as individuality is the album's crux--a zealous belief in the Will of God in our lives and His support for LGBT expression.
Heavily inspired by Latin and Anglo scenes of old--70s Nueva Cancion/Anglo Folk Revival. Central American mod/teenie bopper music/children's music. Bolero, boogaloo. Salsa, Latin jazz. Guillermo Anderson, Ruben Blades. Victor Jara, Foxygen.

Despite the sonic palette of yesteryear, it is not stuck in the past. Lyrically fierce and sonically sharp with tinges of low-fidelity abrasiveness and unrefined instrumental performances, the album rings a contemporary bell while refusing to hold itself within established genres.

Starting, narratively, from the independence of Central America from Spain, and initially told from the perspective of Francisco Morazan, the album advances onward to the dissolution of the Federal Republic of Central America and continues with a tribute dedicated to Guillermo Anderson, only to burst back with the Filibuster War, an oft-forgotten part of Antebellum America in which the independence of Central America was again threatened, but this time by a US-backed megalomaniac-turned-dictator seeking to turn the region into a slave state. Following this is another dedication, this time to my mother, which is then followed up with the narrative turning point of the album, "By the Bunches," which is about the rise of the banana republics as well as the current-day mass migration of our people leaving our lands "by the bunches" due to the failure of capitalism and the rise of remittances as the dominant industry of Honduras as a result. An off-the-rails salsa-infused track about the Sandinistas, Anglo-Saxon Evangelism, American-backed dictatorships, and LGBT acceptance follows shortly after, only to give way to the narrative climax of the album, "200 Years... (And What Came of Them)," which is a soft pillow on the face to strangle every theme present throughout the album to a restful, if not wanting, conclusion.

That's just a quarter of the story, though--
Go to cime.casa to learn the rest.

credits

released July 1, 2022

Written, recorded, mixed, and mastered with love and care and a LOT of help by Monty Cime.
Recorded September '21 - March '22 @ Monty's Bedroom
Mastering, production/post-production work, and additional mixing done by DJ Rozwell

Featuring--the vocal talent of El Café Atómico on tracks 1 and 4
Roaring electric guitar, courtesy of Zach of Las Vegas math rock duo Crochet on track 4
Drumming from multi-instrumentalist extraordinaire Aron Farkas, of Composition Booklet, on tracks 4 & 7

Album artwork done by the incredible Ven (@venreload on Instagram and Twitter)

Enfield 1853 Field Musket shot on track 4 used with permission from YouTube user hickok45 (www.youtube.com/user/hickok45)

"Song for Guillermo" partially adapted from traditional Honduran folk song "El Esquipuleño"

Special thanks to--Marco, Frank, Aron, Hex, Juanpa, Ven, Sara, Iosif, Phoebe, Noah, Kydan, Morgan, Jake, Adrian, Seb, Skylar, Kaz, Soapy (Schizoscriptures), Nolan (Boomdagger), Dylan, Ian, Gabe, Nico, @g_posting, Valerie, Peter, Sam, Sasha, Poss, Jude, Julia, Ethan, Phin, Ghost, Lars, Vinny, James, Greg, Abdul, Carter, Lila, Elena, @scoliosis_neandertalentis

Inspired by the posthumous 2017 release Ese Mortal Llamado Morazán

Dedicated to Guillermo Anderson, my mom, the Bueso family, Lastenia Godoy, Carlos and Luis Enrique Mejia Godoy, Francisco Morazán, Honduras, and Central America

Rest in peace Gloria Argumedo. I hope you're proud of the work I've done; let me know what you think when I come meet you.

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Syzygy Records Aliso Viejo, California

Syzygy Records isn't a label; it is a portfolio of every project I, Monty Cime, have created.
When I was 11, I learnt the word "syzygy," & in trying to show an example of it, conjectured that "art is the result of an alignment (a "syzygy") of influences & life experiences beyond one's control"—these are my "Syzygy Records."
This conjecture, I came to find out, is a tenet of historical materialism.
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